{"product_id":"sony-zv-e1","title":"Sony ZV-E1 Body","description":"\u003cp\u003eThe Sony ZV-E1 takes the low-light sensor philosophy of Sony's cinema line and puts it in a body built for one person working alone. 12.1 megapixels across a full-frame sensor means very large photosites, and that is what buys the clean footage at high ISO that this camera is bought for.\u003c\/p\u003e\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensor:\u003c\/strong\u003e full-frame CMOS, 35.6 x 23.8 mm, approximately 12.1 effective megapixels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessor:\u003c\/strong\u003e BIONZ XR with dedicated AI processing unit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISO:\u003c\/strong\u003e 80-102400 for stills and movies, expandable to 40-409600\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutofocus:\u003c\/strong\u003e hybrid phase-detection and contrast-detection, working down to -6 EV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo:\u003c\/strong\u003e XAVC HS (H.265) and XAVC S (H.264); 4K up to 60p, and 4K 120p plus Full HD 240p after the free firmware update\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour:\u003c\/strong\u003e S-Cinetone, S-Log3 and S-Gamut3, with 10-bit 4:2:2 internal recording\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStabilisation:\u003c\/strong\u003e in-body sensor-shift stabilisation, with Dynamic Active mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScreen:\u003c\/strong\u003e 3.0-inch vari-angle touchscreen, 1036800 dots. No electronic viewfinder\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBattery:\u003c\/strong\u003e NP-FZ100\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions and weight:\u003c\/strong\u003e 121.0 x 71.9 x 54.3 mm, 483 g with battery and card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAdvantages\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e12 megapixels on a full-frame sensor is the point, not a limitation.\u003c\/strong\u003e Large photosites are why ISO 12800 stays usable and why the camera keeps working after sunset.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt to be operated by the person in front of it.\u003c\/strong\u003e The vari-angle screen, the three-capsule directional mic and the product showcase mode are there because nobody else is holding the camera.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Active stabilisation.\u003c\/strong\u003e Walking shots hold together without a gimbal, which is the difference between shooting and setting up.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-Cinetone straight out of camera.\u003c\/strong\u003e Sony's cinema colour without grading, and S-Log3 with 10-bit 4:2:2 when you do want to grade.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eType of use\u003c\/h2\u003e\n\u003cp\u003eVlogging and solo content production, interviews and talking-head work, run-and-gun documentary, and any low-light situation where a larger-resolution camera would run out of clean ISO. It is a video-first camera: for high-resolution stills, a higher-megapixel body is the better fit.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":58191477473663,"sku":"5013493459694","price":1779.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1025\/1059\/2383\/files\/5013493459694.jpg?v=1786922094","url":"https:\/\/fotos-altura.es\/products\/sony-zv-e1","provider":"Fotos Altura SL","version":"1.0","type":"link"}